The original post wasn't about literature losing its art to modernity. The original post is about how feminism and other bizzare sexual ideaologies made their way into Law. My answer was that they wormed their way through the Humanities. As a result, the Humanities are a total wasteland. This affects even many entertainment realms, especially the publishing industry.
Let us say there is a 'Gay Literature' Class (actually, quite common on most universities). This is wrong not because of an anti-gay viewpoint, but wrong because it
A) Cherry picks from the works and elevates fourth rate authors/poets to first rate status.
B) Removes opportunity for class time to study true works
C) Places Humanities to be classified by a status of politics rather than art/nature.
Why not leave the Humanities alone? Why this post-modern need to politicize it? Because Humanities is full of sexuality (not eroticism, but sexuality meaning genders). Every poet sings to a muse.
Marriage is facing a train-wreck in several countries, including America. Some people are asking how this came about, why this 'genderless' viewpoint came about. One of the main pillars in its way were the Humanities, as they are filled with gender.
(It appears there is an innate need for myth in youth. Every culture has its myths. But since the Humanities are gone, where did the myths go? Many of them have gone into video games, where each video game represents some masculine thrust, from the warrior saving the princess, to killing dragons, to saving the world from aliens, to being a general guiding armies to victory, the primary material most current video games seem to base their content on is myth.)
In America, there has been a break-up of the News Media. Newspapers and television news is declining. Television for young males is declining. The movie sales (at least in America) are probably beginning to slide.
So it is a likely scenario that a break-up could occur in the publishing industry.
Some said I have gone off the deep end with conservatism. But the issues raised here have no conservatism in them. If politics tried to put in 'traditional values' on the Humanities, I'd be just as opposed to that too. Why? Because Humanities is not supposed to be a political football.
The rampant leftist Camille Paglia expresses her rage at the destruction of the Humanities every chance she gets.
To establish itself as a discipline and quickly prove its own academic legitimacy in the '70s, campus feminism became addicted to theory, which took two principal forms. The first, derived from Kate Millett's Sexual Politics (1970), reduced complex artworks to their political content and attacked famous male artists and authors for their alleged sexism. That atrocious book, which appeared while I was a graduate student, drove every talented, young, intellectual woman I knew away from the women's movement. Millett, who is responsible for the current eclipse of D.H. Lawrence, Ernest Hemingway, and Henry Miller in the college curriculum, did enormous damage to American cultural life. She made vandalism chic.
The second major theoretical style adopted by campus feminism was a French import, derived from the highly abstruse and convoluted deconstruction and poststructuralism. These approaches invaded literature departments in the 1970s and later spread to other fields in the humanities. While the practitioners of French theory professed leftist and even Marxist values, they had little connection to actual politics and none whatever to ordinary people, who were condescended to and excluded by theorists' elitist jargon. Why the shifty, cynical, and verbose psychoanalyst Jacques Lacan -- a classic white, European male -- became the idol of so many credulous Anglo-American feminists remains a mystery. Simple careerism may explain it: From the late 1970s through the 1980s, attaching oneself to feminism or to French theory guaranteed employment, promotion, and, at the top, huge financial rewards. The academic marketplace reinforced cutthroat ambition and herd behavior, eventually seriously compromising the direct, sympathetic study of literature and art that should be the humanities' proper mission.
Also, don't forget that no-fault divorce was first signed into law in America by Ronald Reagan. This is an issue much deeper than politics.
Why should anyone care?
Most people are willing to give Caesar his due. When people admit they do not understand higher mathematics, they do not say, "Mathematics is the sucky!!!11" When people admit they do not understand the quirks of DNA decoding, they do not say, "Genetics is stupid stuff!" Everyone acknoledges the benifets mathematics, science, and other fields has done. But the same is not applied to the Humanities.
Lifeforce gives us the perfect example of this:
I find it amusing with all these people who read fancy titles from all the literal ages and go ahhh ohhh åhhh.. it's soooo good. Look at me, I have read the Devine Comedy.
In fact most of the people who indulge in reading this seem to do it to seem intellectual or superior. Of course they will lie to themselves and say they love these books. Much like drinking beer. Let's face it, beer tastes like ****. But it's manly to drink so every man must pretend he likes to drink beer.
Well here is a news for you, shakespeare sucks! It's boring to read, too much poetic nonsense and the characters are so cardboard they can become. If I could meet him, I'd shove his collective work I was forced to read up his butt.
Refuting this would be as easy as shooting fish in the barrel. But notice the tone. According to those like-minded, Humanities has no purpose except to give self-proclaimed intellectuals reason to think themselves importance. It has no connection to society, to life, or anything else. (And apparently if Lifeforce didn't enjoy it means that no one else *really* can. And those who say they do, *must* be telling a lie. To Lifeforce, there appears to be no other possibility.)
Any investigation into the education of a 'great person' always refutes this. Any investigation into the creation of major laws and constitutions refutes this. Any investigation in entertainment, including the 'simple ones' of today, refutes it. By denying the reality of influence Humanities has on people and society, one becomes blind to the good it produces and to the bad. While it is true that academic 'gender studies' has lost a lot of its grip on the Humanities, what is not realized is that it was the 'passageway' where these 'gender studies' made their way into other academic arenas, including law.
If there is a scientific study on the differences between men and women, we know there is political pressure against such a study, as there are agendas that push that there are no innate differences with the genders. Thankfully, the integrity of the science field is above politics. This is not the same with the Humanities.
Hearing "I like some of your posts, Pook, but WTF is with this thread?" just highlights the issue. Have you noticed most 'how-to-get-women' sites have issued their own hypothesis on the Women-Problem? (It's not just nature, but the non-nature of the issue. Why are men today so effeminite? Why are girls becoming so ungirly? Why are the marriage laws so out of whack?) Some have gone about the issue scientifically, often with a pseudo-evolutionary context. Others look at it politically. Their answers never satisfied me. So on my own searching, along with real observations, I found a lot of answers in the Humanities. My posts quote literature and quotes from 'great people' not for ornamentation but because they are the seed that sprouted the post in the first place. Auxley realized this enough for his "Brave New World" book to include the 'savage', who was an alien to the crazy cloning bizzaro-world he made to frantically read literature in order to make some understanding.
"It is good for kids to read Harry Potter because it makes them read more, rather than watch TV or play video games."
Then it is good for kids to consume fast food since it takes them away from sweets and restaurants.
There is a quality to everything. There exists some really good TV (though none, if any, seems to air on TV these days). There exists some really bad TV. There are well made video games and bad made video games.
And there are good books and bad books. Like the body reacts to food, so is the same with our minds. Junk in, junk out. Just as some parents don't mind feeding their kids junk food, just as many don't mind feeding their kids junk books.
Harry Potter is a fine
children's book. But if it is so good, then why the tnsunami of hype and news coverage? The answer of couse is that it is not that good, and that you are happily being used by marketing companies and your children dupes of consumerism. I suspect that the hoopla over the first Harry Potter book was a bit manufactured (because many elements of the publishing industry are agenda driven). Honestly, there is little to nothing I can see in Harry Potter warrant the attention or praise to it.
Too many people only see this through a prism of 'Elitist Intelellectual Snobs' frowns on 'good loving children happy' Harry Potter book. Have you ever considered that the parents may be the 'elitist snobs' who do not dare admit the possibility that their kids 'Harry Potter' will not increase their reading ability just as a comic book won't? This is why the thread is not called 'Harry Potter and the Vain Intellectualists' but rather 'Harry Potter and the Cheater Reader'. Its a shame that a generation will be raised in a Harry Potter 'bubble' thinking they are reading 'great writing', 'great imagination', and 'great saga' where the truth is they are pawns of 'great marketing', 'great salesmanship' and 'great hype'.