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Master Don Juan
The guy who owns this site.Originally posted by wootapotky
Who's Allen Thompson?
he has much to answer for for fvcking up the main page a year or so ago--- I want the old black and grey color scheme reinstated, dammit!
The guy who owns this site.Originally posted by wootapotky
Who's Allen Thompson?
QFEOriginally posted by diceman
Hello Pook.
“[1.] Classics survive not because stuffy old professors deem them so, but because the works touch on universal themes of Humanity which make them immortal for they are speak to every generation. What is interesting to note is the classic works have been around centuries if not more, and the 'feminist literature', etc. are still stuck in the current generation. [2.] A good way to tell if something is art is if it survives the test of time. [3.] 'Feminist literature' and all could be read, but not at the expense of the true classics. [4.] (Why are these true classics dispensed with? Because they are now deemed politically incorrect.)”
I can see several errors in here, so I’ve numbered them; I’ll go through them in order:
This is not entirely true; take, for instance, Chinua Achebe’s Things Falls Apart, a million copy bestseller, which is set in colonial times, about an African tribe and the threat from the white men who were just arriving. To me, this is a classic piece of literature, which explores “universal themes”, but most people would never have heard of it were it not for the fact that the novel is perfect for studying (namely, colonialism, postcolonial perspective of). James Joyce’s Ulysses is a book designed for studying (ditto Finnegans Wake).
Firstly, what is art? Secondly, many would argue that, say, Don DeLillo’s Underworld is a great work of art; it was published in 1997.
The Golden Notebook by Doris Lessing, I suspect, will be read in centuries’ time, a true classic of ‘feminist literature’. Maragaret Atwood – I hope, I pray! – will not.
Which true classics? Joseph Conrad’s Heart of Darkness ostensibly has many racist aspects to it, as does Rudyard Kipling’s oeuvre, and Saul Bellow is very unpopular among the feminist crowd, but all their literature survives in tact. What does this tell you?
You say that more people should read the classics; here, I must quote everyone’s favourite writer, Salman Rushdie (writing in 2000):
literature, good literature, has always been a minority interest. Its cultural importance does not derive from its success in some sort of ratings war, but from its success in telling us things about ourselves that we hear from no other quarter. And that minority – the minority that is prepared to read and buy good books – has in truth never been larger than it is now.” (‘In Defence of the Novel, Yet Again’)
He says good literature is a minority interest; you say that speeches of Cicero were taught to children of 12 years old. But who thinks all those kids cared about what they were being taught. Of Cicero’s speeches Montaigne has this to say:
I want arguments which drive home their first attack right into the strongest point of doubt: Cicero’s hover about the pot and languish. They are all right for the classroom, the pulpit or the Bar where we are free to doze off and find ourselves a quarter of an hour later still with time to pick up the thread of the argument. (‘On Books’)
Perhaps this is why they were taught to 12-year olds; if they missed the finer details, it wouldn’t matter. And so what if they were taught these speeches? I know for a fact that secondary school kids in Germany are taught Martin Luther King’s famous ‘I have a dream’ speech. As for The Odyssey and The Iliad (which you consistently misspell), these epics were orated; it’s not as if Plato Jnr. sat down with a few thousand wax tablets and read them! And, to be honest, the Robert Fagles translations of Homer’s epics are very easy to read, not that much harder than Harry Potter in fact. Besides, I don’t seriously expect kids to appreciate good literature at such a young age; after all, good literature is about life (Patrick Kavanagh said, “it takes a lot of living to make a poem”; why not modify this to say that it takes a lot to appreciate a poem?), about the ‘human condition’. Kids know nothing, or very little, of the human condition. If a kid wanted to discuss with me the nature of irony in Joseph Heller’s Catch-22, I’d be quite worried. No, life must be experienced first, then literature comes into play. First a man must fall in love, be rejected by someone he loves, meet or know of evil people, etc. before he can appreciate the emotional depth of a novel like Anna Karenina or a play like Anthony and Cleopatra or Waiting for Godot. The first three Harry Potter books may not say a lot about life, but they get kids reading, learning words, broadening their vocabularies, and learning how to spell (shame you didn’t have Harry when you were a kid), and that’s all that a kids’ book can seriously hope to achieve (the millions of copies sold is presumably a bonus). A kid who has read the classics is like a person in restaurant who knows the menu off by heart but hasn’t tasted any of the food.
“No one takes Romance books seriously” you say, perhaps forgetting, that Michael Ondaatje’s The English Patient won the Booker prize, Margaret Mitchell’s Gone With the Wind won the Purlitzer and Boris Pasternak, who wrote Doctor Zhivago, won the Nobel Prize. And what of Wuthering Heights, Madame Bovary, etc?
“As I've gotten older, I've realized most sci-fi is incredibly bad” – And yet, so much of it is great: Dune, Star Maker, H.G. Wells’ classics, The Hitchhiker’s Guide…, I am Legend, We, etc. Sci-fi is the most recent major development (and probably the last) we are likely to see in literature; it will take a few decades for people to truly acknowledge its impact. Most of the great writers of the last 50 years – William Burroughs, Doris Lessing, Anthony Burgess, J.G. Ballard, Kurt Vonnegut – have dabbled in sci-fi; what does that tell you? You say that sci-fi started in the 30’s, but you are wrong: it started in the third book of Gulliver’s Travels, swiftly moved on to Frankenstein, merrily made its way to Jules Verne and H.G. Wells, and never looked back. The rich crop of novelists who have written in this genre is staggering: Olaf Stapledon, Michael Moorcock, Frank Herbert, Ray Bradbury, Douglas Adams, Arthur C. Clarke, Richard Matheson, Joe Haldeman, etc.
“The audience for Sci-Fi have always complained that they are not taken seriously in literature (which isn't true, there is Farehiet 451, 1984, Brave New World)”. Brave New World, is, by its author’s concession, “a book about the future”; sorry to be anal, but I think there is a difference between proper sci-fi and Huxley’s masterpiece. His is prophetic, sci-fi is about the present. To build on one of your own points: “The point is that these 'golden works' are not passing the test of time and are becoming more ridiculous.” Taken as prophetic works, yes, they are dated, but this isn’t what sci-fi, real sci-fi, was about; it was about projecting the problems of the present into a different realm (mostly forward, into the future), to abstract them, so that problems could be viewed differently, at a distance. So Joe Haldeman’s The Forever War is the Vietnam war by another name. The way the soldiers age much slower than people on Earth because they are in space reflects the distortion of time for Vietnam vets. Michael Herr writes:
When you’re out there, fighting, it feels like time stands still; no progress. And, you know, back home folks are getting on with their lives, getting older, and when you get back, to start from where you left off, you find that people have moved on, changed.
The suitably of this space setting becomes clear. And, of course, sci-fi goes on to this day; Iain M. Banks and William Gibson, for example.
Harry Potter
So now I finally, arbitrarily, return to Harry Potter. J.K. Rowling and Stephen King are not literature (or high art) but nobody said they were. Compare Stephen King with Richard Matheson or Robert Bloch, not Shakespeare and Homer! King’s reign of terror, I am sure, will come to an end within a century or so, but I don’t think anyone believes otherwise.
Harry Potter
And you knock children’s writers like they’re idiots; I hope Roald Dahl, Mark Twain, A.A. Milne, Kenneth Grahame, Lewis Carroll and Enid Blyton would all feel suitably humbled by your opinion were they alive today. James Joyce never wrote a kids’ book and probably never could, and, frankly, thank Christ he didn’t!
To finish, here are a few quotes you may find funny/useful:
“Feminism encourages women to leave their husbands, kill their children, pratcise witchcraft, destroy capitalism and become lesbians.” Pat Robertson, US Politician, 1992
“The uses of knowledge will always be as shifting and crooked as humans are themselves.” John Gray, Straw Dogs
“When I express my opinions it is so as to reveal the measure of my sight not the measure of the thing.” Michel de Montaigne, The Complete Essays
Originally posted by Pook
I'm not referring to people like you, who are young and reading it. I am talking about thirty-fifty year olds who are reading it, and when the criticism comes (because anything so hyped and publicised invites it), they won't allow any criticism.
The Chronicles of Narnia were children's books but adults also enjoyed them. But news media, movie industry, and all didn't wrap around them. A big critic of the Narnia tales was one J. R. Tolkien who thought the tales should be more detailed. So he wrote Lord of the Rings, a tale intended for the young.
The standard response I have recieved from many teachers is, "Look at this literature! They hate it because it is too hard to read."
That makes as much sense as saying we should stop teaching calcalus because it is 'too hard'. The failure is not in the literature but in the teachers. Even in university, the english teachers often did a piss poor job at presenting these works. You're not assigned to read them, you're assigned to find 'symbols' or other such gobbeley gook in them. The teachers are providing no context. Like with Moby ****, they would probably emphasize finding symbolism and all that crud. But context is so limited because of lack of reading on the other building blocks, such as other myths. Like how can you understand Moby **** without understanding Leviticus or the powers of Posideon?
It is like high school trying to teach shakespeare but do not teach poetry. "So the reader goes, 'Shakespeare sounds so 'ancient'!" whereas shakespeare is actually using modern english but it is in poetic form. Since all of shakespeare is in poetry, unless you get the poetry, you'll never get shakespeare.
Has anyone had a shakespeare class where they taught iambic pentameter or the BEATS and rhythm of poetry? It is like trying to analyze music without knowing what a note is!
wow...way to generalize like a motherf*cker.Originally posted by I_Only_Live_Once
I agree with Pook, this Harry Potter nonsense is idioitic. The only people who like Harry Potter books are people who are not well read. Not including children, the vast majority of people who like Harry Potter are females. This has to do with the fact that they have no lives and need something easily consumable. Harry Potter to books & movies, is like McDonalds is to food, Britney Spears is to music, or The Apprentice is to TV. It's an easily digestible facade. Ask yourself this question: why is the vast majority of harry potter fans (not including little kids) women? Here's a hint, it's the same reason that women find it exciting to go shoe shopping or read magazines on teen idols and celebrity gossip.
Originally posted by OneArmDeeJay
It’s about the media.
Your getting too caught up on the technical side like spelling errors and opinions on Sci-Fi.
The point is Harry Potter isn’t that great and it cheats OTHER children book authors and readers of their money, time, and education.
Pook is just being silly for the reasons stated here and in the post I QFE-ed. I'm not going to defend Harry Potter because I don't particularly like the books but you are wrong about one thing: HP does have value. If you think that education is important then I would imagine you would agree that motivating people to read is a good thing.Originally posted by OneArmDeeJay
Nothing about Harry Potter is educational not to mention caters to women.
And if you rage against it like what Pook is doing you get flamed and get seriously criticized.
Ok now you are making accusations you just can't back up. If you can produce some kind of long-term study on immigration patterns that show not only that fewer Chinese are migrating to the US but also WHY there are fewer then maybe I’ll agree with you. Otherwise you’re just being silly.Originally posted by OneArmDeeJay
Tell me why are international parents such as Chinese parents not sending their kids to America anymore?
Shakespeare sucks, ok? Supposedly he speaks to the "universal human condition." Well he doesn't speak to my condition. Mr. Spock speaks to my condition, Hank Reardon from Atlas Shrugged speaks to my condition, Epictetus and the Stoics speak to my condition. In his own time Shake was considered a HACK. Guess what: George Lucas is to our time what Shakey-baby was to his own. 300 years from now Lucas will be roses-in-a-bottle.Originally posted by OneArmDeeJay
In public schools pre-algebra isn’t even taught until 8th grade. And Shakespeare is thought in the 12th or maybe 11th.
You are among the few. There is at least one exception to the rule.Originally posted by lebRambo
i) I like Harry Potter, and I am very well read, not only in the classics but also in subjects such as political science, calculus and abstract mathematics and physics.
Originally posted by lebRambo
ii) There is nothing wrong with a little mindless entertainment if it doesn't compromise your ability to critically analyse and understand serious study
So your saying that the majority fans are not women but the people you know are?Originally posted by lebRambo
iii) The vast majority of harry potter fans are not women, since of the people that I know who like harry potter, there is something like a 5:4 majority in the favour of women, so its not a VAST majority.
Originally posted by lebRambo
I can only assume that this sample is representative. Maybe its not,
And you do buddy?Originally posted by lebRambo
but the point is that it doesn't make sense to make blanket statements like 'the vast majority of HP fans are women' when you have no proof.
Don't always be the one putting yourself out for her. Don't always be the one putting all the effort and work into the relationship. Let her, and expect her, to treat you as well as you treat her, and to improve the quality of your life.
Quote taken from The SoSuave Guide to Women and Dating, which you can read for FREE.
Seriously, though, I'll admit to being a fan of both. But those writers turn people off from reading? I hardly think so. More likely it's they never had much capacity for reading or intellectual pursuits to begin with. Or they did have capacity and intellectual pursuits elsewhere but didn't take to some of the finer literary works all the same.Originally posted by diplomatic_lies
Actually, I find crap like Shakespeare and Jane Austen are responsible for the ignorance in today's children.
Yes! Fvckin-A! Finally! Someone else here now recognizes that bad parenting, peer pressure, gangs, poverty, bad schools, social isolation, drugs, excessive violence and sex (often paired together) in games, movies and music aren't the real culprits here.
It's really been those prissy brit writers austen and shakespeare all along!
Gawddamn. I knew it!
Shakespeare and Austen are boring as f*ck. Their books are forced onto kids at school. As a result, kids learn to hate reading.
Glad I didn't go to your schol, bro. I had to seek out advanced placement classes senior year in high school to get a half a shot at shakespeare, and never heard of austen 'till I got to college.
Even though I don't like Harry Potter, I like the way that it's encouraging kids to actually read for pleasure, not just because they need to finish an English essay. (dead right about that....)
It's also the reason I hate Shakespeare and Austen, because their books actually discourage people from reading.