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Exegesis on the original.
We live in an artificial and abstract age as opposed to a more natural simpler age. In a simpler age, there is a lack of all the dualities and
dichotomies which we are all so familiar with [body/mind, public/ private etc], and which serve to clutter our minds,
or which perhaps serve to individuate our minds in the first place. It's like we have been placed in a cave [of the mind/ the Cogito] and have been shown an extended fiction. Due to the durable nature of the mind, the 'suspension of disbelief' can extend indefinitely. To emerge from the fictional state [ideological state] may require some 'de-programming', some critical thinking.
The fiction of ideology consists in a fusing together of reason with reality - the rational is the real. The reason abstraction confuses us is because of this con-fusion. Criticism serves to re-distance things into their original relationship.
With an open space now opened up outside of the confusion of abstract thought, we can begin to see the real relationship things have to each other - for example, people to people, the present to the past, and ideology to culture. Culture [in the old normative and unifying sense], becomes possible again. There is a
common sense among people again, which the drive to detached certainty once destroyed [in religious terms this would be called heresy in contrast to orthodoxy].
There is another aspect to this critical distancing from ideological fiction - not only is one enabled to re-engage with a community as a social animal [on a basis of having an instinct/ drive for that], but so too one rediscovered a creative subjectivity within oneself which seems to serve as a springboard to such adventures as the aesthetic, ethical, and perhaps even religious. From this perspective, the ideological fiction served to 'flatten' our experience into a two-dimensional screen-like space where-in which we entertained our fictions.
And so we recognize that will is the central phenomena of ourselves and not reason. From the western religious experience, the adventures of reason are recognized and not obliterated. There is a dramatic and adventurous element to life, which reason itself points to. But reason can not become autonomous, or a faith in itself, and imagine itself to obliterate the other aspects of life as we experience them [aesthetics, ethics, culture, religion etc]. Nor can it annihilate itself, for being one 'faith' [or will, or ideal] among various ones, it is in turn supported by those. From the critical perspective, reason becomes conceptual art.
I think this may also go some way toward outlining the differences between East and West.