It seems that latley there has been a surge in fat people who are part of a group calling themselves "fat liberation". They are using the media claiming that they are victims and that we (society) are "brainwashed" into thinking that being thin is attractive.
Now they are going to bombard us using celebrities to brainwash us to accept fat women and to think that they are attractive!!!
((((Warning: Nudity OF FAT CHICKS Pictures on the followng link!! it seems that when its just a picture of hot women its called porn but when you put a has-been celebrity (Lenord Nimoy) taking pictures of FAT NAKED WOMEN and talking about them, all of the sudden its called ART!).
http://www.rmichelson.com/Artist_Pages/Nimoy/pages/MaxBeaut.
htm
If you don't want to open the link here is what is written in the article which is pure brainwashing propaganda at its best. Its going to come down to guys feeling bad that they aren't attracted to fat women because they are "ignorant" and this "fat liberation movement" will succeed. Now its going to be wrong telling them to lose the weight and to stop being lazy because if you can't accept them and love them the way they are, you are a caveman who has not got on with the times. (I believe that is the argument feminism uses to throw in your face every time you try to disagree with them.)
Now they are going to bombard us using celebrities to brainwash us to accept fat women and to think that they are attractive!!!
((((Warning: Nudity OF FAT CHICKS Pictures on the followng link!! it seems that when its just a picture of hot women its called porn but when you put a has-been celebrity (Lenord Nimoy) taking pictures of FAT NAKED WOMEN and talking about them, all of the sudden its called ART!).
http://www.rmichelson.com/Artist_Pages/Nimoy/pages/MaxBeaut.
htm
If you don't want to open the link here is what is written in the article which is pure brainwashing propaganda at its best. Its going to come down to guys feeling bad that they aren't attracted to fat women because they are "ignorant" and this "fat liberation movement" will succeed. Now its going to be wrong telling them to lose the weight and to stop being lazy because if you can't accept them and love them the way they are, you are a caveman who has not got on with the times. (I believe that is the argument feminism uses to throw in your face every time you try to disagree with them.)
Pictures don't show how the fat jiggles when they walk and how much they sweat or the amount of body odur they produce and notice that they use too much shadow in the photos for a reason.“Maximum Beauty” L. Nimoy
Who are these women? Why are they in these pictures? What are their lives about? How do they feel about themselves? These are some of the questions I wanted to raise through the images in this collection.
This current body of work is a departure for me. For a number of years, I have been producing images using the female figure. I have worked with numerous mo dels who were professional people earning their living by posing, acting, dancing, or any combination thereof. But, as has been pointed out to me in discussions at exhibitions of my work, the people in these pictures always fell under the umbrella of a certain body type. I’ll call it a "classic" look. Always within range of the current social consensus of what is "beautiful." In fact, that was the adjective I most often heard when my work was exhibited. The women as they appeared in my images were allotted no individual identity. They were hired and directed to help me express an idea—sometimes about sexuality, sometimes about spirituality—and usually about feminine po wer. But the pictures were not about them. They were illustrating a theme, a story I hoped to convey.
These women are interested in "fat liberation." They hold jobs in the theater, the film industry and in business—and together they perform in a burlesque presentation called "Fat Bottom Revue." The nature and degree of costuming and nudity in their performances is determined by the venue and the audience, which can range from children’s birthday parties, to stag parties. I wanted these pictures to be more about them. These women are projecting an image that is their own. And one that also stems fro m their own story rather than mine. Their self-esteem is strong. One of them has a degree in anthropology and will tell you that ideas of beauty and sexuality are "culture bound"—that these ideas are not universal or fixed, and that they vary and fluctuate depending on place and time. They will tell you that too many people suffer because the body they live in is not the body you find in the fashion magazines.
My process was simple, yet different than how I h ad worked in the past. I was initially interested in revisiting two works of female subjects by Herb Ritts and Helmut Newton: specifically Ritts' image of a group of supermodels, who were posed nude and clustered together on the floor, and a Newton diptych wherein the two images are identical in pose, ex cept one image showed the models clothed, and the other showed them unclothed. The models were shown the images by Herb Ritts and Helmut Newton and they were quite prepared to present themselves in response to the poses that those images suggested. I asked them to be proud, which was a condition they took to easily, quite naturally. Having completed the compositions that were initially planned, I then asked them to play some music that they had brought with them, and they quickly responded to the rhythms, dancing in a free-form circular movement with in the space. It was clear that they were comfortable with the situation, with each other, and were enjoying themselves.
With these new images, I am now hearing different words. Sometimes "beautiful," but with a different sub-text. I hear comments, which lead to questions. The questions lead to discussions—about beauty, social acceptability, plastic surgery, our culture and health. In these pictures these women are proudly wearing their own skin. They respect themselves and I hope that my images convey that to others.