You know what...
I will help you by posting these tactic's from one of my collection of ebooks from my personal library. I will just put some of the most significant ones for your situation. I hope your willing to READ and GO THRU ALL THIS just to see if she cheated or not. It's your time and emotional investment.
Introduction:
In an ideal society there would be no need for lies. But we live in a world of deception. And whether you want to play or not, you’re in the game. The question is, do you want to win?
I. Signs of Deception
Once you realize that you’re being lied to, should you confront the liar immediately? Usually not. The best approach is to note the fact in your mind and continue with the conversation, trying to extract more information.
Once you confront someone who has lied to you, the tone of the conversation changes and gathering additional facts becomes difficult. Therefore, wait until you have all the evidence you want and then decide whether to confront the person at that time or hold off to figure how you can best use this insight to your advantage.
SECTION 1: Body Language
• The person will make little or no eye contact. A person who is lying to you will do everything to avoid making eye contact.
• Physical expression will be limited, with few arm and hand movements. What arm and hand movements are present will seem stiff, and mechanical. Hands, arm and legs pull in toward
the body; the individual takes up less space.
• His hand(s) may go up to his face or throat, especially to the mouth. But contact with his body is limited to these areas. He is also unlikely to touch his chest with an open hand gesture. He may also touch the nose or scratch behind the ear.
• If he is trying to appear casual and relaxed about his answer, he may shrug a little.
Section 2: Emotional States: Consistency and Contradiction
• The timing is off between gestures and words. If the facial expression comes after the verbal statement (“I am so angry with you right now” … pause … and then the angry expression), it
looks false.
• The head moves in a mechanical fashion without regard to emphasis, indicating a conscious
movement.
• Gestures don’t match the verbal message, such as frowning when saying “I love you.” Hands tightly clenched and a statement of pleasure are not in sync with each other.
• The timing and duration of emotional gestures will seem off. The emotion is delayed coming
on, stays longer than it should, and fades out abruptly.
• Expression will be limited to the mouth area when the person is feigning certain emotions –
happiness, surprise, awe, and so on – rather than the whole face.
II. BECOMING A HUMAN LIE DETECTOR
The clues to deception can be used with great reliability in everyday situations and conversations. However, if you
must know the truth in a given situation, this part provides you with a sequence of questions that virtually guarantees
that you will know
(a) if you’re being lied to and
(b) what the truth is if it’s not obvious from the lie.
When used in
order, all three phases offer you the greatest opportunity to get at the truth.
Phase One – Three Attack-Sequence Primers
Primer 1 The objective here is to ask a question that does not accuse theperson of anything but alludes to the person’s
possible behavior. The key is to phrase a question that sounds perfectly innocent to an innocent person, but like an
accusation to the guilty.
This is the part where you want to pay close attention to Paid, Laid & Made
Suspicion: You feel that your girlfriend was unfaithful the night before.
Question: “Anything interesting happen last night?”
Suspicion: You think a coworker told your secretary that you have a crush on her.
Question: “Heard any good gossip recently?”
Any answers such as “Why do you ask?” or “Where did you hear that?” indicate concern on the person’s part. He should not be seeking information from you if he does not think that your question is leading. He should also not be interested in why you’re asking the question unless he thinks that you may know what he doesn’t want you to know.
Attack Sequence 4: Direct Assumption / Shot in the Dark
• Stage 1. Set the scene. Be somewhat curt and standoffish, as if something heavy-duty is bothering you. This
will cause his mind to race to find ways to explain the “error of his ways.”
• Stage 2. I’m hurt. Say, “I’ve just found something out and I’m really hurt [shocked/surprised]. I know you’re
going to lie to me and try to deny it, but I just wanted you to know that I know.” You establish that (a) he’s
guilty of something and (b) you know what it is.
• Stage 3. Holding your ground. Say, “I think we both know what I’m talking about. We need to clear the air,and we can start by your talking.”
• Stage 4. Continue to hold your ground. Repeat phrases such as “I’m sure it will come to you” and “The longer I wait, the madder I’m getting.”
• Stage 5. Apply social pressure. “We were all talking about it. Everybody knows.” Now he begins to get curious about who knows and how they found out. As soon as he tries to find out, you’ll know he’s guilty.
Attack Sequence 8: Is There a Reason?
• Stage 1. Introduce a fact. For example, if you want to know if your secretary went out last night when she said
she was sick, “I drove by your house on the way home. Is there a reason your car wasn’t in the driveway?”
Had she been home sick, she would simply tell you that you were wrong – the car was in the driveway.
• Stage 2. One more shot. “Oh, that’s odd, I called your house and I got your machine.” If she’s guilty she will
look for any way to make her story fit your facts.
• Stage 3. Stare. Staring makes someone who is on the defensive feel closed in; your glare is infringing on her
personal space, inducing a mental claustrophobia. Lock eyes with her and ask again.
Well I hope I haven't thrown too much at you here.