Walden
Master Don Juan
Gentlemen.
I have been thinking about why and where I make cold approaches and where I fail to do so successfully.
In doing so I have kinda figured out a way of describing wjhat happens on a CA (or when two strangers coincidentally meet). I figure that once I understand how they work , i an maniopulate the circumstances where I wouldn't / couldn't approach so that they fit the situations where I can and do.
As such this is the first draft of my theory.
I know all the old schoold Djs here don't like it when newbies theorise about DJing without taking action but as some of you may know , I have bene working pretty hard on my CAs out in the cold hard real world.
This is my first draft of it so it's pretty close to gibberish but for those who understand it I'd appreciate any feedback (feel free to tell me it's a load of marsh gas). Once I have it straight in my head I'll figure on a more user friendly model.
Cheers,
Mike.
The phases of a Cold Approach are;
Close , Notice proximity, Non-vocal acknowledgement,
Vocal acknowledgement, and Engagement.
IE: I see a hot girl in a library , I walk over (Close).
I stand near her pretending to read books until we've
noticed each other (NP) and made appropriate NVA.Then I
say something (Hi or a comment) and engage (so what
are you studying?).
This is why it's hard to mack on a girl walking the
opposite direction because you pass too quickly to go
through NPand NVA parts.
If you made eye contact like twice as you closed (prox
notice) and then smiled (NVA) then you'd be ina fine
position to VA and engage.
But if she doesn't give you eye contact (as people in
cities don't) then you are in no position to engage (and
trying to do so is very hard).
Likewise if a girl is sitting stationary you can close
(walk over) sit down until she prox notices you and
makes appropriate NVA (maybe moving over a little or smiling or shifting her books out of the way) then
vocally engage.
But if she doesn't look up at you as you walk over
(PN/NVA) then gives you the cold shoulder as you sit
down (still no NVA) you're in an akward position to
engage.
If a girl is standing , stationary and doesn't give you
PN or NVA as you approach , you're going to look a
little odd just standing there till she notices you
(unless you have top cover for it).
This is the basis of those detestable"gambits" where
people try to engage by asking the time , which gets
thru the PN/NVA parts directly but are limited in
duration.
On a successful walkup (eg park bench in a crowded
place) you have top cover for your close and PN (it's
crowded) and can smoothly VA and engage.This does not often
occur without appropriately going through the other two
stages.
Eg at a bar , you go up , pretend to be looking at the
chalkboard before the girl notices you and you can go
into your routine.
--------------------------------
The way to use this is in each situation to find how to get through those early phases ...somehow.
I have been thinking about why and where I make cold approaches and where I fail to do so successfully.
In doing so I have kinda figured out a way of describing wjhat happens on a CA (or when two strangers coincidentally meet). I figure that once I understand how they work , i an maniopulate the circumstances where I wouldn't / couldn't approach so that they fit the situations where I can and do.
As such this is the first draft of my theory.
I know all the old schoold Djs here don't like it when newbies theorise about DJing without taking action but as some of you may know , I have bene working pretty hard on my CAs out in the cold hard real world.
This is my first draft of it so it's pretty close to gibberish but for those who understand it I'd appreciate any feedback (feel free to tell me it's a load of marsh gas). Once I have it straight in my head I'll figure on a more user friendly model.
Cheers,
Mike.
The phases of a Cold Approach are;
Close , Notice proximity, Non-vocal acknowledgement,
Vocal acknowledgement, and Engagement.
IE: I see a hot girl in a library , I walk over (Close).
I stand near her pretending to read books until we've
noticed each other (NP) and made appropriate NVA.Then I
say something (Hi or a comment) and engage (so what
are you studying?).
This is why it's hard to mack on a girl walking the
opposite direction because you pass too quickly to go
through NPand NVA parts.
If you made eye contact like twice as you closed (prox
notice) and then smiled (NVA) then you'd be ina fine
position to VA and engage.
But if she doesn't give you eye contact (as people in
cities don't) then you are in no position to engage (and
trying to do so is very hard).
Likewise if a girl is sitting stationary you can close
(walk over) sit down until she prox notices you and
makes appropriate NVA (maybe moving over a little or smiling or shifting her books out of the way) then
vocally engage.
But if she doesn't look up at you as you walk over
(PN/NVA) then gives you the cold shoulder as you sit
down (still no NVA) you're in an akward position to
engage.
If a girl is standing , stationary and doesn't give you
PN or NVA as you approach , you're going to look a
little odd just standing there till she notices you
(unless you have top cover for it).
This is the basis of those detestable"gambits" where
people try to engage by asking the time , which gets
thru the PN/NVA parts directly but are limited in
duration.
On a successful walkup (eg park bench in a crowded
place) you have top cover for your close and PN (it's
crowded) and can smoothly VA and engage.This does not often
occur without appropriately going through the other two
stages.
Eg at a bar , you go up , pretend to be looking at the
chalkboard before the girl notices you and you can go
into your routine.
--------------------------------
The way to use this is in each situation to find how to get through those early phases ...somehow.
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