Technique to Overcome Last Minute Resistance (LMR)

Woodhaven

Don Juan
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As a guy who fvcks girls I just met in public places in a big white unmarked van, I need tight LMR (last minute resistance) tech. This post will discuss the system I have developed to deal with that. ;)

If you are at a stage of pickup where you are getting "last minute resistance", there is no reason not to close. If you have a girl to this stage, she IS willing to sleep with you. It is her second greatest priority in life, right next to survival.

BUT as any pickup progresses, you are pushing a girl psychologically and physiologically to sex. As she moves toward sex, she will encounter inner resistance and conflict which we call objections, **** tests, need for qualification, ASD, LMR etc... A girl will give you resistance in an amount proportional to the amount of bad programming she has and indirectly proportional to how well you match her ideal lover. Just do not let it phase you -do not let it shake your emotional state! Just continue moving toward sex, indifferent to her objections, no matter how real they may appear. There are plenty of verbal techniques for dealing with **** tests and objections. You can search some of my LR's for more verbal techniques, or I'll post them here soon.

This post, however is a purely physical approach to overcoming LMR while you are in the "Lust" phase of a PU. Good isolation, and her not thinking you are an axe murderer are the only prerequisites you need for this technique to work. :) BTW, I'm not saying anything about how to convert her to an MLTR after the lay (yet...).

Ok, so you have the chick alone, and you're comfortable with kino, right? First realize that every chick is different. Associations and anchors vary greatly from one chick to another. Realizing that, you can also assume that there is no linear progression of physical escalation that works on all chicks. Linear progressions in PU are pretty limited in general, but that's the topic of another post!

For every piece of kino you execute (Kissing, stroking abdomen, biting ear, etc...) there is an element of resistance, and an element of excitation!

For example, one chick I was with, doing anything with her tits created a ton of resistance, but excited her a bit. Putting my hand down the front of her pants also created a ton of resistance and didn't excite her at all! BUT I realized rubbing her ***** from outside her jeans and squeezing that part right on the inside of her leg near her crotch excited her like crazy! With no
resistance! So what I did was keep kissing her, kissing neck, touching her skin and rubbing her ***** from the outside of her pants, and squeezing her leg. I completely ignored her tits. Eventually it got her so turned on that the pants came off and I ****ed her!

Another example - some other chick I ****ed wouldn't kiss me, and if I tried kissing her, she would resist and start the objections, and close down her physiology. So the kissing had a strong component of resistance, and little to no excitement component. BUT she let me touch her body. She even let me get
my hands near her *****. If I believed that I had to kiss her before I could move onto the other stages of kino, it would be hopeless! But I realized that touching her body turned her on, with very little resistance. So I just kept that up, got my hands on the *****, and had her begging for ****!

So the general formula is:
In isolation, try a few different pieces of kino, try kissing, kissing her neck, biting her neck, ear, stroking her sides, abdomen, small of her back, back of her neck, touching breasts, kissing breasts, squeezing various parts of her leg near her *****, rubbing her *****, putting hand down the back of her pants (touching ***** from rear), etc...

Remember which ones seemed to excite her and remember which ones caused a ****load of resistance. Continue doing the ones that had strong excitement components with little to no resistance. Remember to experiment, be flexible and try new things, you'd be surprised what some chicks respond to!

As you continue doing those specific kino actions, change it up, make it exciting, and vary the rhythm and mood. Play LMR like a good song - it should have more mellow parts and more exciting parts, but never boring or too much of the same for a long time. Remember, the ultimate goal is to eventually stimulate her *****, so creatively work toward that!

You know this whole thing reminds me of what Formhandle of ASF talks about in the FH his base structure - where you find out what works and stick with it! Every girl is different and trying to impose a linear progression is not always useful. Figure out what you can offer that works with her and doesn't cause a lot of objections, and stick with it until the end!

-Vincent DiCarlo

Executive Coach, Rapid Social Impact
http://www.rapidsocialimpact.com
 
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